Museum of Modern Art, Barcelona. Captured with an old manual focus Sigma 35-70mm f/2.8-4 Zoom Master, a lens I tended to use more and more infrequently as the years went by (and nowadays, never). It's far from a popular lens and generally gets a bad press but initially I found it to be acceptable. My copy is capable of returning very sharp images even wide open, provided the light is strong and it particularly suits a pairing with ISO 100 and 200 films with saturated colours, though surprisingly to me, others have said that colours turned out on the dull side. But - and this is a big but - the barrel distortion is so bad, especially visible in architectural shots, that I eventually grew tired of the necessary post-processing and retired it for good. This is one of the last images I captured with it.
It's Latin for 'image of the day'. OK, images don't quite appear every day, but they are randomly selected images from my eclectic archive, so surely they're worth a look? They're even accompanied by a few words..... Depicting whatever from wherever until whenever since November 2019. A sister site to my more static portfolio: telltaleimages.com
"Everywhere I look, and most of the time I look, I see photographs."
Bert Hardy (1913-1995)
Agfa Portrait 160
CZJ Pancolar 50mm
CZJ Sonnar 135mm
Fuji Superior 100
Ilford Delta 100
Ilford Delta 400
Ilford XP2 400
Praktica Nova PL
All photographic images and original written content are copyright © Gary Hill 1984-2020. All rights reserved. Not in public domain.
To my mind, probably the finest documentary photographer
working in the UK today. Except he doesn't do this for a living; all the people whose lives he chronicles are known to him personally. Strikingly honest photography.
British documentary and news photographer who had a gift for capturing the gritty streets and no-frill lives of people living in the poorest districts of post-war Britain.
The respected Armenian-Turkish documentary and portrait photographer, who denied photography was an art form, travelled the world photographing celebrities. But his monochrome images depicting the working class people of mid-20th century Istanbul are the images that stand out for me.
British newspaper photographer who photographed many ordinary folk, but mainly famous people, especially those associated with the arts. For many years she used only a simple camera, an Olympus OM1, a standard 50mm lens and available light.
German professional photographer. It's not his commercial work that works for me but his street-honest personal photojournalism projects. 'Wee Muckers', his depictions of Belfast teenagers is downright saddening and inspiring.