A seated abstract from inside the Olympic Stadium, Munich. I find scenes like this with a pronounced symmetry often work better when there are subtle breaks in the symmetry. Symmetrical perfection seems artificial and contrived, as if a computer algorithm is the creator. There are subtle natural asymmetries present in this image, for example, just above the centre and to the right the seats become slightly misaligned. I capitalised on this by slightly adjusting my angle to have the extreme right and left of the foreground frame differ slightly.